Born in 1982, he lives and works between Avignon and Paris (France). Photographer, scenographer, video maker, Johann Fournier is a multi-talented artist.

His works are the result of a singular creative process. The poetic approach takes its source in the landscapes that the photographer explores. He expresses this vision in images by mixing techniques that he constantly combines and reinvents. Similarly the Artist add classical technics to its pictures and digital techniques digital techniques (digitised textures of paintings, fabrics, drawings, etc…).

The colour treatment is the object of a particular attention. In other words, it is the emotional skins of the image. “I take photographs of each fragment of an image. Therefore, I put in scene all the fragments photographed and sampled. Johann Fournier treats the fragments as a motif, as material. In addition, this process is a deconstruction of the visible world, to reveal its archaic functioning, explains Johann Fournier.

This poetry echoes in the titles of the works, it contributes to their meaning. Also the scenes are influenced by surrealism, they born in the artist’s imagination. These visions are intended to leave an aesthetic and intellectual mark, to leave an emotional trace

J’habite à la frontière du rêve Johann Fournier

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L’article J’habite à la frontière du rêve Johann Fournier est apparu en premier sur en.store.galerieramand.

Born in 1982, he lives and works between Avignon and Paris (France). Photographer, scenographer, video maker, Johann Fournier is a multi-talented artist.

His works are the result of a singular creative process. The poetic approach takes its source in the landscapes that the photographer explores. He expresses this vision in images by mixing techniques that he constantly combines and reinvents. Similarly the Artist add classical technics to its pictures and digital techniques digital techniques (digitised textures of paintings, fabrics, drawings, etc…).

The colour treatment is the object of a particular attention. In other words, it is the emotional skins of the image. “I take photographs of each fragment of an image. Therefore, I put in scene all the fragments photographed and sampled. Johann Fournier treats the fragments as a motif, as material. In addition, this process is a deconstruction of the visible world, to reveal its archaic functioning, explains Johann Fournier.

This poetry echoes in the titles of the works, it contributes to their meaning. Also the scenes are influenced by surrealism, they born in the artist’s imagination. These visions are intended to leave an aesthetic and intellectual mark, to leave an emotional trace

Nous étions sur une île et la brume est tombée Johann Fournier

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L’article Nous étions sur une île et la brume est tombée Johann Fournier est apparu en premier sur en.store.galerieramand.

Born in 1982, he lives and works between Avignon and Paris (France). Photographer, scenographer, video maker, Johann Fournier is a multi-talented artist.

His works are the result of a singular creative process. The poetic approach takes its source in the landscapes that the photographer explores. He expresses this vision in images by mixing techniques that he constantly combines and reinvents. Similarly the Artist add classical technics to its pictures and digital techniques digital techniques (digitised textures of paintings, fabrics, drawings, etc…).

The colour treatment is the object of a particular attention. In other words, it is the emotional skins of the image. “I take photographs of each fragment of an image. Therefore, I put in scene all the fragments photographed and sampled. Johann Fournier treats the fragments as a motif, as material. In addition, this process is a deconstruction of the visible world, to reveal its archaic functioning, explains Johann Fournier.

This poetry echoes in the titles of the works, it contributes to their meaning. Also the scenes are influenced by surrealism, they born in the artist’s imagination. These visions are intended to leave an aesthetic and intellectual mark, to leave an emotional trace

L’arbre qui au coeur flamboyait Johann Fournier

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L’article L’arbre qui au coeur flamboyait Johann Fournier est apparu en premier sur en.store.galerieramand.

The London-based artist Suzanne Moxhay, born in 1976, opens up a dreamlike world of photographs that are out of time. After studying at Chelsea College of Art and the Royal Academy Schools, she thwarted the classic codes of photography in her singular assemblages.

At the heart of her practice, the collection of images allows her to build up a rich iconographic library. Be it of her own drawings and photographs, or visuals from contemporary or older works. She draws from these elements patiently cut out, extracted from their original context and then reassembled. To do this, the artist is inspired by cinematographic matte painting. A technique that consists of painting the set on a glass plate, around spaces left empty to integrate the action.

In the same way, Suzanne Moxhay pastes her fragments onto glass plates, superimposing the elements to recreate a new landscape or an interior with a fantastic atmosphere. This exceptionally fine work takes us to places full of narrative tension, in which we are unable to distinguish between reality and fiction.

Doorway – Suzanne Moxhay | Text by Blandine Boucheix

“I get my inspiration from the sense of place in the locations I photograph and how this can trigger certain associations with other things that I have seen or experienced ; From books, films, memories, things I have witnessed. I work very intuitively in this way and it tends to be that when I start making something it begins to follow it’s own path which might not be what I intended at the outset.”

Find other works by the artist > HERE

L’article Doorway – Suzanne Moxhay est apparu en premier sur en.store.galerieramand.

Born in 1982, he lives and works between Avignon and Paris (France). Photographer, scenographer, video maker, Johann Fournier is a multi-talented artist.

His works are the result of a singular creative process. The poetic approach takes its source in the landscapes that the photographer explores. He expresses this vision in images by mixing techniques that he constantly combines and reinvents. Similarly the Artist add classical technics to its pictures and digital techniques digital techniques (digitised textures of paintings, fabrics, drawings, etc…).

The colour treatment is the object of a particular attention. In other words, it is the emotional skins of the image. “I take photographs of each fragment of an image. Therefore, I put in scene all the fragments photographed and sampled. Johann Fournier treats the fragments as a motif, as material. In addition, this process is a deconstruction of the visible world, to reveal its archaic functioning, explains Johann Fournier.

This poetry echoes in the titles of the works, it contributes to their meaning. Also the scenes are influenced by surrealism, they born in the artist’s imagination. These visions are intended to leave an aesthetic and intellectual mark, to leave an emotional trace

Ecstasis – Johann Fournier

Discover other works by the artist : HERE

L’article Ecstasis – Johann Fournier est apparu en premier sur en.store.galerieramand.

Born in 1982, he lives and works between Avignon and Paris (France). Photographer, scenographer, video maker, Johann Fournier is a multi-talented artist.

His works are the result of a singular creative process. The poetic approach takes its source in the landscapes that the photographer explores. He expresses this vision in images by mixing techniques that he constantly combines and reinvents. Similarly the Artist add classical technics to its pictures and digital techniques digital techniques (digitised textures of paintings, fabrics, drawings, etc…).

The colour treatment is the object of a particular attention. In other words, it is the emotional skins of the image. “I take photographs of each fragment of an image. Therefore, I put in scene all the fragments photographed and sampled. Johann Fournier treats the fragments as a motif, as material. In addition, this process is a deconstruction of the visible world, to reveal its archaic functioning, explains Johann Fournier.

This poetry echoes in the titles of the works, it contributes to their meaning. Also the scenes are influenced by surrealism, they born in the artist’s imagination. These visions are intended to leave an aesthetic and intellectual mark, to leave an emotional trace

Piton la nuit – Johann Fournier

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L’article Piton la nuit – Johann Fournier est apparu en premier sur en.store.galerieramand.

Born in 1982, he lives and works between Avignon and Paris (France). Photographer, scenographer, video maker, Johann Fournier is a multi-talented artist.

His works are the result of a singular creative process. The poetic approach takes its source in the landscapes that the photographer explores. He expresses this vision in images by mixing techniques that he constantly combines and reinvents. Similarly the Artist add classical technics to its pictures and digital techniques digital techniques (digitised textures of paintings, fabrics, drawings, etc…).

The colour treatment is the object of a particular attention. In other words, it is the emotional skins of the image. “I take photographs of each fragment of an image. Therefore, I put in scene all the fragments photographed and sampled. Johann Fournier treats the fragments as a motif, as material. In addition, this process is a deconstruction of the visible world, to reveal its archaic functioning, explains Johann Fournier.

This poetry echoes in the titles of the works, it contributes to their meaning. Also the scenes are influenced by surrealism, they born in the artist’s imagination. These visions are intended to leave an aesthetic and intellectual mark, to leave an emotional trace

La caverne – Johann Fournier

Discover other works by the artist : HERE

L’article La caverne – Johann Fournier est apparu en premier sur en.store.galerieramand.

Born in 1982, he lives and works between Avignon and Paris (France). Photographer, scenographer, video maker, Johann Fournier is a multi-talented artist.

His works are the result of a singular creative process. The poetic approach takes its source in the landscapes that the photographer explores. He expresses this vision in images by mixing techniques that he constantly combines and reinvents. Similarly the Artist add classical technics to its pictures and digital techniques digital techniques (digitised textures of paintings, fabrics, drawings, etc…).

The colour treatment is the object of a particular attention. In other words, it is the emotional skins of the image. “I take photographs of each fragment of an image. Therefore, I put in scene all the fragments photographed and sampled. Johann Fournier treats the fragments as a motif, as material. In addition, this process is a deconstruction of the visible world, to reveal its archaic functioning, explains Johann Fournier.

This poetry echoes in the titles of the works, it contributes to their meaning. Also the scenes are influenced by surrealism, they born in the artist’s imagination. These visions are intended to leave an aesthetic and intellectual mark, to leave an emotional trace

Bleu refuges – Johann Fournier

Discover other works by the artist : HERE

L’article Bleu refuges – Johann Fournier est apparu en premier sur en.store.galerieramand.

Born in 1982, he lives and works between Avignon and Paris (France). Photographer, scenographer, video maker, Johann Fournier is a multi-talented artist.

His works are the result of a singular creative process. The poetic approach takes its source in the landscapes that the photographer explores. He expresses this vision in images by mixing techniques that he constantly combines and reinvents. Similarly the Artist add classical technics to its pictures and digital techniques digital techniques (digitised textures of paintings, fabrics, drawings, etc…).

The colour treatment is the object of a particular attention. In other words, it is the emotional skins of the image. “I take photographs of each fragment of an image. Therefore, I put in scene all the fragments photographed and sampled. Johann Fournier treats the fragments as a motif, as material. In addition, this process is a deconstruction of the visible world, to reveal its archaic functioning, explains Johann Fournier.

This poetry echoes in the titles of the works, it contributes to their meaning. Also the scenes are influenced by surrealism, they born in the artist’s imagination. These visions are intended to leave an aesthetic and intellectual mark, to leave an emotional trace

Cumulonimbus Incus – Johann Fournier

Discover other works by the artist : HERE

L’article Cumulonimbus Incus – Johann Fournier est apparu en premier sur en.store.galerieramand.

The London-based artist Suzanne Moxhay, born in 1976, opens up a dreamlike world of photographs that are out of time. After studying at Chelsea College of Art and the Royal Academy Schools, she thwarted the classic codes of photography in her singular assemblages.

At the heart of her practice, the collection of images allows her to build up a rich iconographic library. Be it of her own drawings and photographs, or visuals from contemporary or older works. She draws from these elements patiently cut out, extracted from their original context and then reassembled. To do this, the artist is inspired by cinematographic matte painting. A technique that consists of painting the set on a glass plate, around spaces left empty to integrate the action.

In the same way, Suzanne Moxhay pastes her fragments onto glass plates, superimposing the elements to recreate a new landscape or an interior with a fantastic atmosphere. This exceptionally fine work takes us to places full of narrative tension, in which we are unable to distinguish between reality and fiction.

Interior With Telephone – Suzanne Moxhay | Text by Blandine Boucheix

“I get my inspiration from the sense of place in the locations I photograph and how this can trigger certain associations with other things that I have seen or experienced ; From books, films, memories, things I have witnessed. I work very intuitively in this way and it tends to be that when I start making something it begins to follow it’s own path which might not be what I intended at the outset.”

Find other works by the artist > HERE

L’article Interior With Telephone – Suzanne Moxhay est apparu en premier sur en.store.galerieramand.