Fabien Granet

Born in 1970 the artist lives and works in France.
The majority of his drawings and paintings are inspired by the wild landscapes of Brittany in France.
” The drawing as a gesture allows me to exploit a (re)mise-en-scene as so many possibilities in the making. Through the quality of drawing as a marker of thought, it is not a question of constructing “dream worlds” but rather of setting up a device that would allow for a conscious dialogue of a certain perception of the real.”

Fabien Granet is pursuing a research on the perception of the landscape, on our ways of trying to represent it, to understand it, to understand its structures.
The drawn “landscapes” are thus as many projections of the artist, which convene and reveal his artistic path, the influences of his culture, his utopias, his dystopian fantasies. Another shift where the quasi scientific concern of objective rigor and the mental construction of an construction of an individual course. The drawing appears in this sense as an act as much as a work which The drawing appears in this sense as an act as much as a work which is registered in a research and a quest to pierce the enigma of the real.

In his landscapes, Fabien Granet evokes a process of the mind, where shreds and fragments become entangled in a re-arrangement of of reality. Snippets of architecture and geometrical figures draw human and his gaze into it. The landscape is a human creation, but how does human try to perceive it, how does he understand its constructions? what is his mental image of it? Chaos and structure intersect in a paradox of our vision of the world: the artist picks out the sensitive elements in a reflection on the possibilities in the making.

Epuisement du motif Fabien Granet

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Fabien Granet

Born in 1970 the artist lives and works in France.
The majority of his drawings and paintings are inspired by the wild landscapes of Brittany in France.
” The drawing as a gesture allows me to exploit a (re)mise-en-scene as so many possibilities in the making. Through the quality of drawing as a marker of thought, it is not a question of constructing “dream worlds” but rather of setting up a device that would allow for a conscious dialogue of a certain perception of the real.”

Fabien Granet is pursuing a research on the perception of the landscape, on our ways of trying to represent it, to understand it, to understand its structures.
The drawn “landscapes” are thus as many projections of the artist, which convene and reveal his artistic path, the influences of his culture, his utopias, his dystopian fantasies. Another shift where the quasi scientific concern of objective rigor and the mental construction of an construction of an individual course. The drawing appears in this sense as an act as much as a work which The drawing appears in this sense as an act as much as a work which is registered in a research and a quest to pierce the enigma of the real.

In his landscapes, Fabien Granet evokes a process of the mind, where shreds and fragments become entangled in a re-arrangement of of reality. Snippets of architecture and geometrical figures draw human and his gaze into it. The landscape is a human creation, but how does human try to perceive it, how does he understand its constructions? what is his mental image of it? Chaos and structure intersect in a paradox of our vision of the world: the artist picks out the sensitive elements in a reflection on the possibilities in the making.

À ras mer Fabien Granet

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Fabien Granet

Born in 1970 the artist lives and works in France.
The majority of his drawings and paintings are inspired by the wild landscapes of Brittany in France.
” The drawing as a gesture allows me to exploit a (re)mise-en-scene as so many possibilities in the making. Through the quality of drawing as a marker of thought, it is not a question of constructing “dream worlds” but rather of setting up a device that would allow for a conscious dialogue of a certain perception of the real.”

Fabien Granet is pursuing a research on the perception of the landscape, on our ways of trying to represent it, to understand it, to understand its structures.
The drawn “landscapes” are thus as many projections of the artist, which convene and reveal his artistic path, the influences of his culture, his utopias, his dystopian fantasies. Another shift where the quasi scientific concern of objective rigor and the mental construction of an construction of an individual course. The drawing appears in this sense as an act as much as a work which The drawing appears in this sense as an act as much as a work which is registered in a research and a quest to pierce the enigma of the real.

In his landscapes, Fabien Granet evokes a process of the mind, where shreds and fragments become entangled in a re-arrangement of of reality. Snippets of architecture and geometrical figures draw human and his gaze into it. The landscape is a human creation, but how does human try to perceive it, how does he understand its constructions? what is his mental image of it? Chaos and structure intersect in a paradox of our vision of the world: the artist picks out the sensitive elements in a reflection on the possibilities in the making.

Fata Morgana Fabien Granet

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Fabien Granet

Born in 1970 the artist lives and works in France.
The majority of his drawings and paintings are inspired by the wild landscapes of Brittany in France.
” The drawing as a gesture allows me to exploit a (re)mise-en-scene as so many possibilities in the making. Through the quality of drawing as a marker of thought, it is not a question of constructing “dream worlds” but rather of setting up a device that would allow for a conscious dialogue of a certain perception of the real.”

Fabien Granet is pursuing a research on the perception of the landscape, on our ways of trying to represent it, to understand it, to understand its structures.
The drawn “landscapes” are thus as many projections of the artist, which convene and reveal his artistic path, the influences of his culture, his utopias, his dystopian fantasies. Another shift where the quasi scientific concern of objective rigor and the mental construction of an construction of an individual course. The drawing appears in this sense as an act as much as a work which The drawing appears in this sense as an act as much as a work which is registered in a research and a quest to pierce the enigma of the real.

In his landscapes, Fabien Granet evokes a process of the mind, where shreds and fragments become entangled in a re-arrangement of of reality. Snippets of architecture and geometrical figures draw human and his gaze into it. The landscape is a human creation, but how does human try to perceive it, how does he understand its constructions? what is his mental image of it? Chaos and structure intersect in a paradox of our vision of the world: the artist picks out the sensitive elements in a reflection on the possibilities in the making.

Repenser l’observable II Fabien Granet

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Fabien Granet

Born in 1970 the artist lives and works in France.
The majority of his drawings and paintings are inspired by the wild landscapes of Brittany in France.
” The drawing as a gesture allows me to exploit a (re)mise-en-scene as so many possibilities in the making. Through the quality of drawing as a marker of thought, it is not a question of constructing “dream worlds” but rather of setting up a device that would allow for a conscious dialogue of a certain perception of the real.”

Fabien Granet is pursuing a research on the perception of the landscape, on our ways of trying to represent it, to understand it, to understand its structures.
The drawn “landscapes” are thus as many projections of the artist, which convene and reveal his artistic path, the influences of his culture, his utopias, his dystopian fantasies. Another shift where the quasi scientific concern of objective rigor and the mental construction of an construction of an individual course. The drawing appears in this sense as an act as much as a work which The drawing appears in this sense as an act as much as a work which is registered in a research and a quest to pierce the enigma of the real.

In his landscapes, Fabien Granet evokes a process of the mind, where shreds and fragments become entangled in a re-arrangement of of reality. Snippets of architecture and geometrical figures draw human and his gaze into it. The landscape is a human creation, but how does human try to perceive it, how does he understand its constructions? what is his mental image of it? Chaos and structure intersect in a paradox of our vision of the world: the artist picks out the sensitive elements in a reflection on the possibilities in the making.

Droit des nuées Fabien Granet

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Fabien Granet

Born in 1970 the artist lives and works in France.
The majority of his drawings and paintings are inspired by the wild landscapes of Brittany in France.
” The drawing as a gesture allows me to exploit a (re)mise-en-scene as so many possibilities in the making. Through the quality of drawing as a marker of thought, it is not a question of constructing “dream worlds” but rather of setting up a device that would allow for a conscious dialogue of a certain perception of the real.”

Fabien Granet is pursuing a research on the perception of the landscape, on our ways of trying to represent it, to understand it, to understand its structures.
The drawn “landscapes” are thus as many projections of the artist, which convene and reveal his artistic path, the influences of his culture, his utopias, his dystopian fantasies. Another shift where the quasi scientific concern of objective rigor and the mental construction of an construction of an individual course. The drawing appears in this sense as an act as much as a work which The drawing appears in this sense as an act as much as a work which is registered in a research and a quest to pierce the enigma of the real.

In his landscapes, Fabien Granet evokes a process of the mind, where shreds and fragments become entangled in a re-arrangement of of reality. Snippets of architecture and geometrical figures draw human and his gaze into it. The landscape is a human creation, but how does human try to perceive it, how does he understand its constructions? what is his mental image of it? Chaos and structure intersect in a paradox of our vision of the world: the artist picks out the sensitive elements in a reflection on the possibilities in the making.

Braconner l’horizon – Fabien Granet 

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Fabien Granet

Born in 1970 the artist lives and works in France.
The majority of his drawings and paintings are inspired by the wild landscapes of Brittany in France.
” The drawing as a gesture allows me to exploit a (re)mise-en-scene as so many possibilities in the making. Through the quality of drawing as a marker of thought, it is not a question of constructing “dream worlds” but rather of setting up a device that would allow for a conscious dialogue of a certain perception of the real.”

Fabien Granet is pursuing a research on the perception of the landscape, on our ways of trying to represent it, to understand it, to understand its structures.
The drawn “landscapes” are thus as many projections of the artist, which convene and reveal his artistic path, the influences of his culture, his utopias, his dystopian fantasies. Another shift where the quasi scientific concern of objective rigor and the mental construction of an construction of an individual course. The drawing appears in this sense as an act as much as a work which The drawing appears in this sense as an act as much as a work which is registered in a research and a quest to pierce the enigma of the real.

In his landscapes, Fabien Granet evokes a process of the mind, where shreds and fragments become entangled in a re-arrangement of of reality. Snippets of architecture and geometrical figures draw human and his gaze into it. The landscape is a human creation, but how does human try to perceive it, how does he understand its constructions? what is his mental image of it? Chaos and structure intersect in a paradox of our vision of the world: the artist picks out the sensitive elements in a reflection on the possibilities in the making.

La petite grève – Fabien Granet 

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Fabien Granet lives and works in Paris, although he extracts most of his designs from the Brittany landscapes. From this raw material, offered by the infinite realities of nature, he draws his questions on the construction of the landscape.

The latter is the human definition of our environment, induced by the limits of our perception. Therefore, humans consider landscape as a fragmentation, which they restore in the framework of a “window open to the world”. The artist transforms the fragments captured in reality, to rearrange them into a drawing. He mixes pattern and geometric structure to offer a reading of the finished work in terms of its framework.

In this mirage, reality is not so much written as reconstructed. A poetry springs from it, scandalized by worrying geometric forms, black or white. They are offered to the spectator as a space of freedom of interpretation, according to his personal experience. These forms offer a multiple reality, impermanent, in an exploration of timelessness. which also underlies the work of video of the artist, carried out with the liking of moving sketches, seized on the live. Which slide in an infinite horizon…

Basse mer – Fabien Granet  | Text by Blandine Boucheix

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L’article Basse mer – Fabien Granet est apparu en premier sur en.store.galerieramand.

Fabien Granet lives and works in Paris, although he extracts most of his designs from the Brittany landscapes. From this raw material, offered by the infinite realities of nature, he draws his questions on the construction of the landscape.

The latter is the human definition of our environment, induced by the limits of our perception. Therefore, humans consider landscape as a fragmentation, which they restore in the framework of a “window open to the world”. The artist transforms the fragments captured in reality, to rearrange them into a drawing. He mixes pattern and geometric structure to offer a reading of the finished work in terms of its framework.

In this mirage, reality is not so much written as reconstructed. A poetry springs from it, scandalized by worrying geometric forms, black or white. They are offered to the spectator as a space of freedom of interpretation, according to his personal experience. These forms offer a multiple reality, impermanent, in an exploration of timelessness. which also underlies the work of video of the artist, carried out with the liking of moving sketches, seized on the live. Which slide in an infinite horizon…

Motif(s) Meteore – Fabien Granet  | Text by Blandine Boucheix

Find more Artworks by Fabien Granet > HERE

L’article Motif(s) Meteore – Fabien Granet est apparu en premier sur en.store.galerieramand.

Fabien Granet lives and works in Paris, although he extracts most of his designs from the Brittany landscapes. From this raw material, offered by the infinite realities of nature, he draws his questions on the construction of the landscape.

The latter is the human definition of our environment, induced by the limits of our perception. Therefore, humans consider landscape as a fragmentation, which they restore in the framework of a “window open to the world”. The artist transforms the fragments captured in reality, to rearrange them into a drawing. He mixes pattern and geometric structure to offer a reading of the finished work in terms of its framework.

In this mirage, reality is not so much written as reconstructed. A poetry springs from it, scandalized by worrying geometric forms, black or white. They are offered to the spectator as a space of freedom of interpretation, according to his personal experience. These forms offer a multiple reality, impermanent, in an exploration of timelessness. which also underlies the work of video of the artist, carried out with the liking of moving sketches, seized on the live. Which slide in an infinite horizon…

Motif(s) series – Fabien Granet  | Text by Blandine Boucheix

Find more Artworks by Fabien Granet > HERE

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